Abstract Insano: The Chaotic Symphony

Abstract Insano—a plunge into the heart of chaos, where the mind’s turmoil collides with the world’s unpredictability. These works explore the unseen forces that shape my perception of reality—fragmented emotions, inner conflicts, and the tension between self and society, all aligning with the seven rules of the artist.

Through abstraction, each piece transcends mere appearance, inviting viewers to engage in a deeper, more visceral experience. Energy within these works, reflects the complexity of the my soul—unfiltered, raw, and ever-changing, in harmony with nature.

Abstract Insano does not seek answers. Instead invites the viewer to surrender to the beauty of madness, embracing an ever-shifting perception of reality.

Charcoal Apophenia: Cybernetic Flow in Abstract Articulation

Charcoal apophenia explores the emergence of patterns and meaning through perception, using motion and flow as key dynamics in artistic expression. Rooted in cybernetics—a transdisciplinary field examining causal processes—this approach embraces feedback loops, recursion, and control mechanisms within biological and creative systems. Circular motions within artistic tooling mirror biocybernetic principles, where each stroke influences subsequent actions through energy, matter, and information exchange.

By integrating cybernetic theory into the creative arts, this practice navigates the intersection of control, communication, and emergent complexity. In this framework, art becomes an evolving system of interaction, where feedback refines perception, and perception shapes motion—transforming raw charcoal into a dialogue of structured abstraction.

Abstraction – Gestalt Chromatic Perception

This collection of paintings was inspired by the way the human mind constructs reality through color, contrast, and perception. Drawing from Gestalt psychology, chromatic adaptation, and simultaneous contrast, these works explore how the absence of color defines its presence, how edges shift through perception, and how light and form emerge from cognitive interpretation. By engaging with the science of vision and emotion, this series invites viewers to experience color not just as a visual element, but as a psychological phenomenon.
Color is not just seen as color is processed—
A construct of cognition, shaped by contrast and context.
Shape
The mind completes what the eye cannot,
Merging fragments into a seamless whole.

Value (Light & Dark Contrast)
In desaturation, hues linger—
An afterimage of perception, an echo of adaptation.

Edges (Definition & Transition)
Simultaneous contrast bends reality,
As colors shift against their opposites, defining themselves through difference.

What the eye perceives, the brain refines—
Thus I am, Thus I am not
Illusions of depth, movement, and emotion,
Gestalt in motion, where light and void converge.